1 min read · 109 words
Three schools, three materials, one chronology: the sculpture question is a comparison question.
Schools compared
- Gandhara: grey schist, Greco-Roman drapery and wavy hair, Kushan-era patronage.
- Mathura: spotted red sandstone, indigenous idiom, earliest halo; Buddha, Jina and Hindu icons all carved.
- Amaravati: white limestone narrative stupa panels under the Satavahanas.
Gupta idiom
- Sarnath Buddha: transparent drapery and dharma-chakra mudra — the classical peak.
- Udayagiri Varaha cave relief; Sultanganj standing Buddha bronze.
Chola bronze line
- Lost-wax casting; Nataraja iconography: apasmara demon, fire, damaru, abhaya.
- Sembiyan Mahadevi-era patronage; the best Natarajas sit in Thanjavur galleries.
Revise in 30 seconds
- Gandhara schist; Mathura red sandstone; Amaravati limestone.
- Sarnath Gupta Buddha = classicism.
- Nataraja: lost-wax Chola bronze.
Quick revision
- Gandhara: grey schist, Greco-Roman drapery and wavy hair, Kushan-era patronage.
- Mathura: spotted red sandstone, indigenous idiom, earliest halo; Buddha, Jina and Hindu icons all carved.
- Amaravati: white limestone narrative stupa panels under the Satavahanas.
- Sarnath Buddha: transparent drapery and dharma-chakra mudra — the classical peak.
- Udayagiri Varaha cave relief; Sultanganj standing Buddha bronze.
- Lost-wax casting; Nataraja iconography: apasmara demon, fire, damaru, abhaya.
